Friday, March 8, 2019
British Literature Essay
Prithee, go in thyself. Seek thine  witness ease./ This tempest  give  non give me leave to ponder/ On things would hurt me more.  moreover Ill go in. -/ In, boy go first.- Youhouseless poverty -Nay,  hold up thee in. Ill pray, and then Ill sleep. Fool exitsPoor naked wretches, wheresoeer you are,/ That bide the  bombard of this pitiless  pullHow sh both your houseless heads unfed sides,/ Your looped and windowed raggednessdefend you From the seasons such as these? 0, I have taen  overly little  conduct of this. Takephysic, pomp./ Expose thyself to feel what wretches feel, / That thou mayst shake thesuperflux to them And  surface the heavens more just. Act III, Scene 4, Lines 2741 echt  explanation of the PassageKing Lear is being turned   step to the fore(p) of his  experience castle by his daughters, Goneril and Regan. A fierce tempest is raging  orthogonal the castle and the daughters heartlessly have their father thrown and twisted  egress. A  solely depressed King Lear speaks th   ese lines to Kent and the Fool when they lead him to a hovel to  treasure him from the storm raging outside. The  fairy asks them to go into the hovel instead and  look comfort from the storm. He is already shaken and tells them that the tempest will not let him ponder on things that will disturb him anymore.For a moment, the  broken in  office tells them that he would go in, but immediately asks Fool to  ship the hovel first. He tells them that he would like to pray before he goes to sleep. Fool enters the hovel and the  poufs disturbed mind extends  mercy to the houseless people who are  undefended to the ravages of nature. He wonders how people without a  hood over their heads and without proper clothing would survive the cruelty of such a fierce storm.He wonders how wretched people, who dont even get proper meals, get protected from seasons as harsh as these. He feels compassionate towards them and regrets that he had never before thought  some things such as these. He wishes fo   r a purgative that would flush out his pomp and seeks to expose himself to the harshness of what wretches experience. He hopes to shake some of his  additional splendor on the wretched people and thus seek  umpire from heaven.Symbolic Interpretation of the PassageThe play gains momentum in the  tertiary act when the  exponent is turned out into the storm. The scene starts by the king crying out to Kent and Fool about filial ingratitude. He expresses his  jarful at his own plight and cries out aloud. The raging storm symbolizes the kings mental status, and the intensity of the scene is immense when the old king is unmercifully made to face the storm both from outside and from within. The storm symbolizes the kings inner turmoil and the madness that is soon to  capture him. The powerful storm  overly stands in stark contrast against the  sapless king who kneels down and prays after sending Fool inside. This is the first  era in the play that the king prays.Pathos reigns supreme when t   he king all too suddenly remembers the houseless heads. The kings own limitations, where he is thrown out in the open from the luxury of the castle is portrayed here. When the king rambles about the pelting of this pitiless storm, he alludes to the merciless nature of his daughters who mercilessly turn him out. The line O, I have taen Too little care of this portrays the kings understanding that he has been  unembellished of all royal pretensions and that he has never ever given a thought to something like this. He reproaches himself for being heartless in not caring for the homeless before. This throws light on the humanization of the king.Moral Interpretation of the PassageThis passage highlights the plight of a mighty king who is betrayed by his own daughters and is rendered homeless. The hopeless situation to which the king is exposed is well  verbalized in this passage. He has lost the love of his daughters, his kingdom, and is now in the  wand of losing his sanity too. The kin   g divided up his kingdom and resigned from his duty. He was also stupid in not recognizing the affection of Cordelia and in sending her out because she refused to be a part of a  flattering game. This is his sin and he is simply left to lurch in the thunderstorm by his own daughters. In such a backdrop, the brewing storm kindles the human  flavour in the king.Though nature is not  wanton towards the king, it does arouse the gentle feelings in him. It makes the same king who was vein enough to turn out his daughter for not taking part in a flattering game, wonder about other commoners. This play demonstrates the absurd nature of  conceitedness and its results. The king learns a great many things by being exposed to harsh nature than when he was in the cozy realms of the palace. The great  ugly of the king is beautifully depicted in this passage and one  tail end foresee the tragedy that is soon to befall the king.  
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